Origins

I have always been drawn to what lives beneath the surface of things.

Not to what is immediately visible, but to what remains when excess falls away — matter, gesture, silence. I work by listening. To materials, to process, to the quiet intelligence that emerges when the hands slow down.

Jewelry became my language not as decoration, but as contact. Gold, stones, metal are not inert to me — they carry memory, resistance, and presence. Each piece begins as a dialogue between inner experience and physical form, between what cannot be said and what can be held.

My practice is shaped by research as much as intuition. I value discipline, precision, and time. Spirituality, for me, is not separate from technique — it lives in attention, in repetition, in staying with the process until essence reveals itself.

I am not interested in spectacle. I am interested in truth.
In objects that feel inevitable. Quiet. Grounded.

Each piece I create is a trace — a moment where meaning takes form and becomes wearable. A small, intimate presence meant to be lived with, not explained.

This is where my work exists:
between matter and meaning,
between the visible and the invisible.

 

Explore

Beneath the surface

Jewellery Studies and Training

My formation took place through focused study and hands-on training, developed within the context of traditional jewelry education and independent practice. I trained in precious metal techniques, stone setting, and construction, grounding my work in both historical knowledge and contemporary research. This foundation continues to shape a disciplined, material-led approach to making.

Florentine Ateliers & Mentorship

Working within Florentine ateliers allowed me to deepen my relationship with craft through daily practice and direct exchange. Guided by experienced jewelers and mentors, I refined technical skills while absorbing an approach rooted in precision, patience, and respect for material. This environment strengthened my understanding of jewelry as both tradition and living practice.

Ongoing Independent Practice

Alongside collaborative and atelier-based work, I maintain an independent practice where research, making, and reflection unfold together. Working autonomously allows me to develop pieces slowly and intentionally, following a process guided by material, intuition, and precision. This space supports continuity, experimentation, and a deepening of my personal language.

Conceptual & Material Research

My work is grounded in ongoing research that explores the relationship between matter, memory, and meaning. Through close observation and material experimentation, I investigate how form can hold inner experience and translate it into wearable objects. Concept and technique evolve simultaneously, allowing each piece to emerge through a balance of thought, sensation, and structure.

1 2